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February 1 – The Month of Februus, the Ancient Roman God of Purification
In the ancient Roman calendar, several of the months are named after gods in the Roman pantheon. January is named after Janus, the god of new beginnings. March is named after Mars, the god of war. But what about February? February is the month of Februus, the god of purification. The name Februus comes from the Latin verb februa (which may have either Etruscan or Sabine roots), which means “to purge, purify, or cleanse”. The word “fever” is based on the same origin as the name “February”, because the Romans believed that you could purge sickness from your body by sweating it out of your system (1).
In addition to having the entire month dedicated in Februus’ honor, the ancient Romans also had a specific day dedicated to him in their calendar. This was called the Februalia, the Feast of Februus. In one source, it says that the Februalia purification ritual spanned from February 13 to 15 (2), but in all other sources that I have seen, it states that it only took place on the 15th. Later, the purification rituals of the Februalia were absorbed into the fertility ritual of the Lupercalia, which you can read about in more detail here.
In the past, the Roman calendar began with the month of March and ended with the month of February. Mars was seen as the divine father of the Romans, for he was the father of their first king Romulus; the year began with the month that bore his name. February, the final month of the calendar, was regarded as the death of the year, and consequently February was known for reverence to the dead (3). Traditionally, Roman government officials began their term-of-office on the first day of the year (March 1st) and exited on the last day of the year (February 28th or 29th). However, during the 150s to 130s BC, several important changes occurred within the Roman Republic, and many of these changes had to do with the Roman military campaigns in Spain. Military campaigns almost always began in March or April, when the temperature warmed, the snows melted, and the Roman Army could move. However, the immensities of the fighting in Spain meant that Roman military commanders were given precious little time to organize their campaigns. As a result of the wars in Spain, the rules and conventions of government needed to be changed due to the necessities of waging military operations in that theater, including extending the term-of-office for certain officials in order for them to more effectively carry out their duties, and even changing the Roman calendar. It was decided to shift the months of the calendar around. January and February, which had previously been the eleventh and twelfth months, were now moved to the beginning of the year to serve as the first and second months. Roman politicians and military commanders now assumed their powers on January 1 instead of March 1, which gave them at least sixty more days to prepare their troops for the upcoming military campaigns. This is also the reason why the months of September (literally translated to “Month Number 7”), October, November, and December now serve as the ninth, tenth, eleventh, and twelfth months of the year (4).
The Roman poet Ovid writes about the purification rituals of February in his Fasti:
“The fathers of Rome called purification ‘februa’. Many things still indicate that meaning for the word. The high priests ask the King and the Flamen for woolen cloths, called ‘februa’ in the ancient tongue. When houses are cleansed, the roasted grain and salt, the lictor receives, are called by the same name. The same name too is given to the branch, cut from a pure tree, whose leaves wreathe the priests’ holy brows. I’ve seen the priest’s wife (the Flaminica) ask for ‘februa’, and at her request she was given a branch of pine. In short anything used to purify our bodies, had that title in the days of our hairy ancestors. The month is so called, because the Luperci cleanse the earth with strips of purifying hide, or because the time is pure, having placated the dead, when the days devoted to the departed are over. Our ancestors believed every sin and cause of evil could be erased by rites of purification. Greece set the example: she considered the guilty could rid themselves of sins by being purified” (5)
Ovid also states that a gathering was held every February 1 at the Forest of Alernus, located where the Tiber River empties into the Mediterranean Sea. Unfortunately, he does not provide any reason for this assembly of people at this wood, nor does he go into any description as to what activities occurred there. Elsewhere, at the tomb of Numa Pompilius and at Jupiter’s temple of the Capitoline Hill, a sheep was sacrificed. (6)
Ovid also states that February 1 marked the date that at least two temples were built dedicated to the goddess Juno, the queen of the Roman gods. However, Ovid remarks that these temples had long fallen into ruins by the time that he was writing (7).
Source citations
- Definitions and Translations. “Februa”. https://www.definitions.net/definition/februa.
- Definitions and Translations. “Februa”. https://www.definitions.net/definition/februa.
- Ovid, Fasti, book 2, introduction.
- Rome and the Barbarians, lecture 8 – “The Roman Conquest of Spain”.
- Ovid, Fasti, book 2, introduction.
- Ovid, Fasti, book 2, February 1.
- Ovid, Fasti, book 2, February 1.
Bibliography
- Ovid, Fasti, book 2, introduction. https://www.poetryintranslation.com/PITBR/Latin/OvidFastiBkTwo.php.
- Ovid, Fasti, book 2, February 1. https://www.poetryintranslation.com/PITBR/Latin/OvidFastiBkTwo.php.
- Definitions and Translations. “Februa”. https://www.definitions.net/definition/februa.
- Rome and the Barbarians, lecture 8 – “The Roman Conquest of Spain”. Hosted by Prof. Kenneth W. Harl. Chantilly, VA: The Teaching Company, 2004.
October 19 – The Armilustrium: Another Campaign Season Comes To An End
The Roman Army was the mightiest fighting force of ancient times from the 3rd Century BC until arguably the 3rd Century AD. Each year, the soldiers were sent out to search for and fight the empire’s enemies. However, the legions were not constantly in action. As Autumn moved closer to Winter, the soldiers prepared to hang up their armor and weapons and move into their Winter quarters. The soldiers would no longer be on active duty, and fighting would be put on hold for a few months until the weather warmed up again in Spring and the legions could once again be sent out for another campaign.
Roman soldiers marching at Xanten, Germany. Photograph by Judith Meyer (June 23, 2012). CC0 Creative Commons.
The Roman Army’s campaigning season officially began on March 23 with a festival called the Tubilustrium. With the necessary sanctification rituals performed, the Roman Army could now march, fight, and conquer with the gods’ blessings.
As Summer changed to Autumn, the soldiers’ thoughts increasingly turned to returning to their homes and bringing in the Fall harvest. By the middle of October, the time had come to dismiss the troops. October 19 officially marked the end of the year’s military campaign season, and this feast day was known in ancient Rome as the Armilustrium (1).
It’s said that the name “Armilustrium” comes from the Latin words arma (“weapon”) and lustrere (“to be reviewed”) (2). However, a better translation might be arma followed by lustrantur “purified” (3). Then again, as I’ve pointed out elsewhere, the ancient Romans loved puns and plays on words, and it’s possible that both definitions are correct. Here, the soldiers would be assembled one last time, and the necessary purification rituals would be performed before the troops were taken off of active duty.
Where did this ritual take place? We have two possible contenders. The first and most commonly-accepted proposal is that the Armilustrium festival took place upon the Campus Martius, “the Field of Mars”. This was Rome’s military training ground, their version of Parris Island or Salisbury Plain, where the new recruits would be trained in how to be legionnaires, and where those who were already in the Army would sharpen their skills as well as their swords. If you’re going to be conducting a religious ritual that is centered upon Rome’s military, then the Campus Martius sounds like a logical place (4).
Not so fast, though, because there’s a second option. The ancient historian Plutarch says that there was a place called Armilustrum, located on the Aventine Hill (one of the seven hills that makes up the city of Rome), where King Titus Tatius of the Sabines was entombed (5). It has been supposed that the Armilustrium was actually a ritualized performance held in honor of Titus Tatius, possibly performed by the Salian priesthood with helmets, shields, and spears. (6). However, this view is not well-regarded by most scholars, who believe that the name “Armilustrium” referred to a religious ritual, not a geographic location, and that it centered upon the Roman military, not a semi-legendary ancient king.
Now that we’ve established where this ritual likely took place, we turn our attention to what exactly happened here. Just as with ascertaining the ceremony’s location, determining what went on during the ceremony is a bit difficult. As mentioned earlier, there are two possible translations, but both are of a military nature. The name Armilustrium translates to either “weapons are reviewed” or “weapons are purified”. In either case, both translations involve weapons.
Numerous sources claim that this was a general review of the army, with the soldiers standing in formation, fully armed and armored as if ready for battle (7). What was the purpose behind this? The word “review” is telling. Perhaps this was where the general surveyed his soldiers on parade, inspected their appearance and their kit, where the troops displayed their awards, and where their commander could give them a few encouraging words.
One source from the 1820s says that the men and officers “wore crowns” while on parade (8). These are assuredly not royal crowns or even mock royal crowns. Instead, they were likely battle awards that were in the shape of crowns, and the Roman military had several of these. Perhaps the most common was the corona civilis, “the civic crown”, crafted from oak leaves, which was given as an award for saving the life of another Roman citizen. A soldier who had rescued one of his comrades in battle would be awarded such an ornament. However, there were other crown awards, too. The corona muralis, “the wall crown” was an award given to the first soldier who was able to penetrate through an enemy’s fortifications. Of all of these coronae, perhaps the most coveted and the most respected was the corona graminea. This was a crown that was given to a victorious battlefield commander, crafted by the soldiers that he led out of the very grasses and plants that grew out of that battlefield. Only a handful of Roman generals were given this award, which means that the victory had to be on a truly epic scale.
What about the reference to purification during this ritual – what exactly was the thing that needed to be purified? Based upon the name, most people have stated that the soldiers’ weapons were the things that needed to be both physically as well as ritualistically cleaned (9). Only one source from the early 1800s claims that the soldiers themselves were purified, not the weapons (10). This is similar to the idea which is seen several times in the Bible that people who had shed blood were “unclean” and needed to be cleansed of their blood-guilt before they were once again re-admitted into society.
Numerous sources claim that sacrifices were made on this day (11), but what kind were they? They were likely not sacrifices of live animals, known in Latin as agonaliae, because every time live animals were sacrificed the Romans clearly stated so. One notable example of an agonalia was one conducted in honor of Mars which occurred in March 17, in which a ram was sacrificed to the Roman war god. So, the sacrifices likely consisted of offerings of meat, harvested crops, or prepared goods like honey cakes, which were a common sacrificial offering.
Nobody says who is actually carrying out these sacrifices. Charles James, writing in the early 1800s, stated that it was the Roman Army’s generals who carried out the sacrifices, not members of the priesthood (12). However, there are more sources which state that it is either inferred or assumed in the Roman records that the Salii priests performed the ceremonies (13). The Salii, or the Salians (no relation to the Salian Franks of the 4th and 5th Centuries), were an order of priests who were devoted to worshiping the god Mars. Their name is derived from the Latin verb salit meaning “to jump or leap”. So they were, literally, the Leaping Priests. They were known for dancing while carrying shields and weapons, in order to please the war god. Plutarch wrote “They move with much grace, performing, in quick time and close order, various intricate figures, with a great display of strength and agility” (14). On this day, it’s likely that the priests of Mars danced and sang prayers to Mars, giving thanks to him for a successful campaign.
Meanwhile, a source from the 1800s says that it was the soldiers themselves who were doing the dancing, while wearing all of their armor in fact (15). I am VERY skeptical about this, but who knows, it might be true. War dances are common to many cultures, and this idea of the Romans soldiers dancing while fully dressed for battle sounds like something known as the pyrrhiche or “Pyrrhic Dance”, which was a dance performed by young men while wearing armor (16).
The things that were used in purification rituals are better described concerning another ceremony called the Palilia, a festival dedicated to gaining divine protection for your livestock, which took place on April 21. Here, various substances were burned including the blood and ashes of sacrificed animals, dried beans, sulfur, rosemary, chips of fir wood, and incense. The smoke which emanated from these burnt offerings would be used to purge and purify places, animals, and people of any unclean influences. Also, cleansing rituals would be performed by using laurel branches to sprinkle holy water on the people and the places where they lived and worked (17). Because the Armilustrium had purification at its heart, it is highly likely that the same sacrificial and ceremonial purification rituals were conducted on October 19 as they were on April 21.
All of the sources which write about the Armilustrium are in agreement that the festivities were accompanied by the blasting of war trumpets, and possibly added to by other musical instruments that were employed upon the battlefield. What was the purpose behind this? There were numerous other sacrificial and purification rituals which were conducted by the ancient Romans which were not accompanied by music of any sort, so why was the Armilustrium different? Many scholars have pointed to the Armilustrium’s militaristic nature as the reason why martial musical instruments were played. Another reason likely has to do with the Armilustrium being paired with the earlier Tubilustrium festival of March 23; the Tubilustrium began the campaign season, and the Armilustrium concluded it, and both days were sacred to the war-god Mars. In the Tubilustrium musical instruments, especially trumpets, were a core component to the day’s celebrations. As Marcus Terentius Varro explains, the name Tubilustrium meant “the purification of the trumpets”, and the trumpets in question were sacred trumpets that were used in association with religious rituals and other formal ceremonies (18). Since the Armilustrium marked the end of the military campaign season, it’s possible that this was the day where the war trumpets were sounded for the last time. The weapons, shields, and armor were purified and afterwards locked up in the armory until the next campaign season.
March was the month of Mars, the time when the snows of Winter had melted and armies could once again be sent out to attack Rome’s enemies. October, too, was a month dedicated to Mars, but for the opposite reason, because this was the month when the soldiers returned home. The army is assembled, their awards and commendations are displayed for everyone to envy. The sound of the war trumpets echoes for one last time and the thick smoke of burnt sacrificial offerings hangs heavily in the air, while the priests and the troops sing the praises of the war god and give thanks to him for seeing them through another year. Now, it’s time to put away their war-like things, and devote their time to the matter of the harvest, of their families, and making it through the cold Winter. In a few more months, they will be assembled on the parade ground again, ready to fight on the command of the emperor, and for the glory of Rome.
Source citations
- William Darrach Halsey, Collier’s Encyclopedia, Volume 9. Macmillan Educational Company, 1984. Page 626.
- Ephraim Chambers, Cyclopaedia, or An Universal Dictionary of Arts and Sciences, Volume I, Fifth Edition. London: 1741.
- Marcus Terentius Varro, On the Latin Language, book 6, verse 14. Translated by Roland G. Kent. London: W. Heinemann, 1938. Pages 189.
- The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 191.
- Robert Burn, Rome and the Campagna. Cambridge: Deighton, Bell, and Co., 1876. Page 205.
- John Bell, New Pantheon, Volume I. London: J. Bell, 1790. Page 94.
- Ephraim Chambers, Cyclopaedia, or An Universal Dictionary of Arts and Sciences, Volume I, Fifth Edition. London: 1741; The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 191; Adam Clarke, The Holy Bible, with a Commentary and Critical Notes, Volume IV: Romans-Revelation. Cincinnati: Applegate & Co., 1854. Page 184.
- The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 191.
- Ephraim Chambers, Cyclopaedia, or An Universal Dictionary of Arts and Sciences, Volume I, Fifth Edition. London: 1741).
- The Anniversary Calendar, Natal Book, and Universal Mirror, Volume II. London: William Kidd, 1832. Page 693.
- Ephraim Chambers, Cyclopaedia, or An Universal Dictionary of Arts and Sciences, Volume I, Fifth Edition. London: 1741; Charles James, A New and Enlarged Military Dictionary, Second Edition. London: T. Egerton, 1805; The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 191; Adam Clarke, The Holy Bible, with a Commentary and Critical Notes, Volume IV: Romans-Revelation. Cincinnati: Applegate & Co., 1854. Page 184.
- Charles James, A New and Enlarged Military Dictionary, Second Edition. London: T. Egerton, 1805.
- Fastorum Libri Sex. The Fasti of Ovid, Volume 3 – Commentary on Books 3 and 4. Edited and Translated by James George Frazer. Page 145.
- Plutarch, Life of Numa Pompilius, chapter 13.
- The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 191.
- Cassius Dio, Roman History, book 60, chapter 7; Lauren Curtis, Imagining the Chorus in Augustan Poetry. Cambridge: Cambridge University Press, 2017. Page 179.
- William Smith, ed., Dictionary of Greek and Roman Antiquities, Second Edition. London: Walton and Maberly, 1859. Page 850.
- Marcus Terentius Varro, On the Latin Language, book 6, verse 14. Translated by Roland G. Kent. London: W. Heinemann, 1938. Pages 189; John Ziolkowski, “The Roman Bucina: A Distinct Musical Instrument?”. Historic Brass Society Journal (2002). Pages 31, 36; The Roman Way of War – “The Dacian Wars”; The Roman War Machine, episode 1 – “First Our Neighbors, Then The World”. 1999.
Bibliography
- Bell, John. New Pantheon, Volume I. London: J. Bell, 1790.
- Burn, Robert. Rome and the Campagna. Cambridge: Deighton, Bell, and Co., 1876.
- Chambers, Ephraim. Cyclopaedia, or An Universal Dictionary of Arts and Sciences, Volume I, Fifth Edition. London: 1741.
- Clarke, Adam. The Holy Bible, with a Commentary and Critical Notes, Volume IV: Romans-Revelation. Cincinnati: Applegate & Co., 1854.
- Curtis, Lauren. Imagining the Chorus in Augustan Poetry. Cambridge: Cambridge University Press, 2017.
- Dio, Cassius. Roman History, book 60, chapter 7.
- Halsey, William Darrach. Collier’s Encyclopedia, Volume 9. Macmillan Educational Company, 1984.
- James, Charles. A New and Enlarged Military Dictionary, Second Edition. London: T. Egerton, 1805.
- Plutarch. Life of Numa Pompilius, chapter 13. http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Lives/Numa*.html.
- Smith, William ed. Dictionary of Greek and Roman Antiquities, Second Edition. London: Walton and Maberly, 1859.
- Varro, Marcus Terentius. On the Latin Language, book 6, verse 14. Translated by Roland G. Kent. London: W. Heinemann, 1938.
- Ziolkowski, John. “The Roman Bucina: A Distinct Musical Instrument?”. Historic Brass Society Journal (2002). Pages 31-58.
- Fastorum Libri Sex. The Fasti of Ovid, Volume 3 – Commentary on Books 3 and 4. Edited and Translated by James George Frazer.
- The Anniversary Calendar, Natal Book, and Universal Mirror, Volume II. London: William Kidd, 1832.
- The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829.
- The Roman Way of War – “The Dacian Wars”. https://www.youtube.com/watch?v=Y479bKPEzLQ.
- The Roman War Machine, episode 1 – “First Our Neighbors, Then The World”. 1999. https://www.youtube.com/watch?v=fawPwsOfHTk.
October 5 – The Opening of the Pit of the Underworld
“Then I saw an angel coming down from Heaven, holding in his hand the key to the bottomless pit and a great chain. And he seized the dragon, that ancient serpent, who is the Devil and Satan, and bound him for a thousand years, and threw him into the pit, and shut it and sealed it over him, so that he might not deceive the nations any longer, until the thousand years were ended. After that he must be released for a little while” – The Book of Revelations, chapter 20, verses 1-3.
For many modern-day people, October is the spookiest month of the year due to its association with Halloween. October is the month in which TV channels air marathons of horror movies, it’s when people put out decorations of ghosts and monsters, and it’s when children get a little bit more conscious about what might be lurking in their closet. It seems that throughout the whole of October, other-worldly supernatural entities increase their power, culminating on that special day at the end of the month. Those who are of a religious disposition feel that October 31 is the day in which Mankind is the closest to succumbing to the powers of Darkness.
The ancient Romans did not have Halloween, but it’s true that they had several days on their calendar which filled them with dread. Perhaps the most well-known was the time called the Lemuria, which occurred on May 9, 11, and 13. This was a time devoted to pacifying the lemures, the restless malevolent spirits of the dead, who might visit your home and cause mischief or harm. They might even take possession of your house, or even of you! Thus it was important to placate them with treats, or to ward them off with spells. This was, in effect, ancient Rome’s version of trick-or-treating, except these weren’t pint-sized munchkins dressed up in monster costumes – here, the monsters were real.
However, the Lemuria was not the only day that the ancient Romans felt apprehensive about. The fifth day of October (some sources say it was the fourth day) was an ominous day for the ancient Romans, for it was on this day that the portal to the Underworld would be opened, and the Romans were understandably worried about what things might come out.
October 5 was known as the Mundus Patet, “the Open World”. It was a day dedicated to Dis Pater, the god-ruler of the Underworld, and all of the other beings and entities that dwelt within his realm. The name Dis Pater means “the Father of Riches”. He was the Roman synonym of the Greek god Hades, who ruled the Underworld. Hades’ subterranean counterpart Pluto (who is often believed to be the same as Hades) was the god of riches – it was he who made all of the gold, silver, and other precious things which were mined out of the ground. The ancient Roman god Dis Pater combined attributes of both of these Greek gods. (1)
As an anecdote, within his Commentaries on the Gallic Wars, Julius Caesar writes that all of the Gallic Celts claim to be descended from the god of the Underworld, which he equates to Dis Pater (2).
The Underworld god Dis Pater is known to have had one temple dedicated to him within the greater area of the city of Rome. It was a small temple or shrine, and consisted of an underground chamber, with a single round room, and a round altar table within. This subterranean room was located on the edge of the Campus Martius near where the Tiber River flowed at a place known as the Terentum (no relation to the city of southern Italy named Tarentum). The term means “the crossing place”, and it likely referred to the place where people crossed over the Tiber River from one side to the other. However, in a spiritual sense, this was also a place where human and non-human beings would cross over from the world of the spirits into the mortal human world, and vice-versa. This is similar to the Celtic belief of Samhain (pronounced “saowein”), which said that the boundary separating the world of the living and the world of the spirits became so thin that entities from “the other side” could cross over into the human world (3).
There was a second location that is often ascribed to be that of the temple of Dis Pater. This was a small circular shrine made of bricks, with a small room large enough for only one person to stand inside, which was located on the Palatine Hill at the cross intersection of two main roads known as the Quadrata. This shrine marked the exact center of the city of Rome, and was the location of the omphalos, the naval, the center of the Roman world. In Latin, it was known as the Umbilicus Urbis Romae, the belly button of the city of Rome (4).
There is reference to certain stone located not far from this shrine within the district called the Comitium which was known as the lapis niger, “the black stone”, and in 1898, it was discovered. It was square, made of several slabs of black marble, and bordered with white marble. Upon it were inscriptions written in an archaic version of Latin, implying that it was of great antiquity; the inscription was dated to approximately 500 BC. Underneath this black stone were found numerous devotional offerings, including several figurines, dated from the 8th to the 6th Centuries BC. The ancient Roman writer Pompeius Festus says that this stone marked an unlucky spot, where the Romans intended to bury either Romulus or his foster-father Faustulus. Among the inscriptions, there is a curse upon anyone who defiles or desecrates the location, and anyone who does so shall forfeit his life to Soranus. “Soranus” was the name of the Etruscan god of the Underworld, so the inscription is essentially saying that anyone who defiles this place will die and be sent to Hell. It has been proposed that this “black stone” might have served as the altar to the beings of the Underworld because black was the color associated with the Underworld and the beings who lived within it, and due to the fact that an Underworld god is mentioned by name in one of the inscriptions (5).
For most of the year, the temple to Dis Pater was shut. However, on just three days in the year – August 24, October 5, and November 7 – the door was opened. The opening of the temple of Dis Pater was a solemn occurrence, because it wasn’t just the doorway to the temple that was opened – the Romans believed that on these three days, the gate to the Underworld itself would be opened as well (6).
Within the temple, there was a portal to the Underworld. This opening was covered by a large stone known as the Lapis Manalis, “the Stone of the Manes”; the manes were the spirits of the ancestors. For most of the year, this gateway was sealed shut, except for three days, when the spirits of the dead were allowed to enter the human world. It’s possible that the stone altar itself was the Lapis Manalis and served as the covering for this portal, and therefore implying that the altar rested atop a hollow base (7).
The pit might have originally served as an underground cellar used for grain storage, which would explain why the pit was opened during times that are associated with the harvest season, but over the centuries the pit took on a more otherworldly significance. Evidence to support this hypothesis is found in the original name of this ritual. The ceremonial opening of these pits was originally referred to by the ancient Roman writer Pompeius Festus as Mundus Cereris Patet, “The World of Ceres is Opened” Ceres was the ancient Roman goddess of agriculture and the patron god of farmers; Ceres was the Roman version of the Greek goddess Demeter. The Romans had several feast days dedicated to her, and often grain or bread were offered as sacrifices (8).
The pit was opened for the first time on August 24, the day before the festival known as the Opeconsiva, the Feast of the Bountiful Goddess. This was a festival dedicated to the earth goddess, giving thanks to her for a bountiful harvest. She might have been a form of either the agriculture goddess Ceres or the Mother Earth goddess Tellus. In the words of Marcus Terentius Varro…
“The day named Opeconsiva (August 25) is called from Ops Consiva (Goddess of Abundance, the wife of Saturn, as planter or sower; another aspect of Terra) ‘Lady Bountiful the Planter,’ whose shrine is in the Regia; it is so restricted in size that no one may enter it except the Vestal Virgins and the state priest. ‘When he goes there, let him wear a white veil,’ is the direction; this suffibulum ‘white veil’ (an oblong piece of white cloth with a colored border, which the Vestal Virgins fastened over their heads with a fibula ‘clasp’ when they offered sacrifice) is named as if sub-figabulum from suffigere “to fasten down’” (9).
William W. Fowler speculates that on August 24, the seeds that were to be used for next year’s planting were set aside and were put away in storage until the time came for them to be planted. These seeds would be housed in a sacred chamber, under the protection of the earth goddess, who would watch over them and protect them so that the Romans would have food during the next year and not starve. However, depending upon circumstances, the grain crop did not become ready for harvest at the same time everywhere – different patches ripened at different times. Having three specific days, not just one, spread out over a few months where the seeds for next year’s crop could be collected and deposited would be very convenient for Roman farmers (10). The Romans would have been conscious about keeping the storage chamber sealed most of the time. If the chamber was left open, the seeds would be exposed to rodents, insects, fungi, and mold. If this happened, all of the seeds which were set aside to provide the following year’s food would be destroyed, and famine would rage throughout the city. In order to ensure the survival of the crop, the grain chambers needed to be opened only briefly, and then promptly sealed shut in order to minimize the chances of contamination.
So, if this chamber was originally intended as a storage pit for the next year’s seeds, then where did the idea of ghosts and goblins come from? It’s possible that the subterranean temple of Dis Pater was meant to be a stylized representation of a cave. Caves are regarded by many cultures as places imbued with elevated spiritual powers. The Celts, for example, believed that caves were entrances to the spirit world (11).
Now, let’s turn our attention to another question. If the Romans believed that this was a passage to the Underworld, then why on earth would they open it for any reason at all, allowing God-knows-what to come out? According to Plutarch in his work The Life of Romulus, when the city of Rome was founded, the early Romans placed offerings of the first fruits of the harvest into this chamber. Likewise in later years, when the portal was opened, offerings of the harvest would be thrown in (12). This again lends credence to the idea that these three days were originally associated with the harvest season and not ghosts. However, at some point in Rome’s social and cultural history, the logical pragmatic practice of placing seeds into underground storage containers to be kept safe until the time came for them to be planted the following year changed into the superstitious practice of throwing offerings of food into a pit that was believed to be the gate of the Underworld (shakes my head in Latin).
The Roman writers Macrobius and Varrone state that numerous activities were banned on the three dates that this otherworldly gate was opened, believing that bad luck was sure to follow. These included enlisting soldiers into the military, to start a war, engaging in battle, sail on a voyage, or get married (13).
In addition to sacrifices being offered at the temple of Dis Pater on the ominous dates of August 24, October 5, and November 7, sacrifices were also offered upon this altar during the Ludi Saeculares, “the Games of the Age”. The term saeculum in Latin refers to one’s lifespan. The Ludi Saeculares, sometimes incorrectly translated as “the Secular Games” (which falsely implies that they were non-religious in nature), were supposed to be held every 100 years, since this was regarded as the maximum age that a person could naturally live, and were meant to commemorate the passing of one saeculum into another – that is to say, one lifespan into another, thus commemorating the cycle of life, death, and renewal. These games were intended to be held every 100 years of Rome’s existence. One might rightfully assume that the games were supposed to be held in late April (according to legend, Rome was founded on April 21, 753 BC), and were to be held in the years 653 BC, 553 BC, 453 BC, 353 BC, 253 BC, 153 BC, 53 BC, 47 AD, 147 AD, 247 AD, 347 AD, and 447 AD. However, if you look at the record of when the Ludi Saeculares were actually held, you will discover that they were not held rigidly every 100 years, nor did they occur on the dates that were previously listed. We know that these games were celebrated as early as the middle 200s BC, but they might have been celebrated earlier. The following is a list of dates for the Ludi Saeculares (14):
- 249 BC (four years off-date).
- 149 BC.
- May 31 to June 2, 17 BC.
- 47 AD. This was the ONLY date in which the Ludi Saeculares were performed on schedule.
- 88 AD.
- 146 AD.
- 204 AD.
- 248 AD.
Gradually, the superstitions of the pagan pantheon gave way to the faith of Christianity. Ideas held by the Roman people about their gods and spirits, many of which appear bizarre or nonsensical to us today, would slowly fall away and become forgotten, and the temples and shrines which were once dedicated to the old gods would crumble into ruins.
Source Citations
- The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 190; Pierre Grimal, The Dictionary of Classical Mythology. Translated by A. R. Maxwell-Hyslop. Oxford: Basil Blackwell Publisher, Ltd., 1986. Page 141.
- Julius Caesar, Commentaries on the Gallic Wars, book 6, chapter 18.
- Alexander Aitchison, The New Encyclopaedia, or Universal Dictionary of Arts and Sciences, Volume XV. London: Vernor, Hood, and Sharpe, 1807. Page 392; Lawrence Richardson Jr., A New Topographical Dictionary of Ancient Rome. Baltimore: The Johns Hopkins University Press, 1992. Page 111; Calvert Watkins, How to Kill a Dragon: Aspects of Indo-European Poetics. Oxford: Oxford University Press, 1995. Page 351; The Haunted History of Halloween.
- William Warde Fowler, The Roman Festivals of the Period of the Republic. London: Macmillan and Company, Ltd., 1899. Page 211; Mark Bradley, “Crime and Punishment on the Capitoline Hill”. In Mark Bradley, ed., Rome, Pollution and Propriety: Dirt, Disease and Hygiene in the Eternal City from Antiquity to Modernity. Cambridge: Cambridge University Press, 2012. Page 120; What the Ancients Knew – “The Greeks”.
- Leon Ter Beek, “Divine Law and the Penalty of Sacer Esto”. In Olga Tellegen-Couperus, ed., Law and Religion in the Roman Republic. Leiden: Brill, 2012. Pages 17-25; Mark Bradley, “Crime and Punishment on the Capitoline Hill”. In Mark Bradley, ed., Rome, Pollution and Propriety: Dirt, Disease and Hygiene in the Eternal City from Antiquity to Modernity. Cambridge: Cambridge University Press, 2012. Page 120; Matthew Dillon and Lynda Garland, Ancient Rome, from the Early Republic to the Assassination of Julius Caesar. London: Routledge, 2005. Page 8.
- Alexander Aitchison, The New Encyclopaedia, or Universal Dictionary of Arts and Sciences, Volume XV. London: Vernor, Hood, and Sharpe, 1807. Page 392; The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 190.
- William Warde Fowler, “Mundus Patet. 24th August, 5th October, 8th November”. Journal of Roman Studies, volume 2 (1912). Pages 25‑33. http://penelope.uchicago.edu/Thayer/E/Journals/JRS/2/Mundus*.html.
- William Warde Fowler, “Mundus Patet. 24th August, 5th October, 8th November”. Journal of Roman Studies, volume 2 (1912). Pages 25‑33. http://penelope.uchicago.edu/Thayer/E/Journals/JRS/2/Mundus*.html; Thomas Morell and William Duncan, An Abridgement of Ainsworth’s Dictionary; English and Latin, Revised Edition. Edinburgh: Oliver and Boyd, 1862. Pages 29-30; Mark Bradley, “Crime and Punishment on the Capitoline Hill”. In Mark Bradley, ed., Rome, Pollution and Propriety: Dirt, Disease and Hygiene in the Eternal City from Antiquity to Modernity. Cambridge: Cambridge University Press, 2012. Page 120.
- Marcus Terentius Varro, On the Latin Language, book 6, verse 21. Translated by Roland G. Kent. London: W. Heinemann, 1938. Pages 193-195.
- William Warde Fowler, “Mundus Patet. 24th August, 5th October, 8th November”. Journal of Roman Studies, volume 2 (1912). Pages 25‑33. http://penelope.uchicago.edu/Thayer/E/Journals/JRS/2/Mundus*.html.
- The Celts, episode 3 – “A Pagan Trinity”.
- Plutarch, Parallel Lives – “The Life of Romulus”, chapter 11; Reverend John T. White and Reverend J. E. Riddle, A New Latin Dictionary, Third Edition. London: Longmans, Green, and Co., 1869. Page 1,240.
- Alexander Aitchison, The New Encyclopaedia, or Universal Dictionary of Arts and Sciences, Volume XV. London: Vernor, Hood, and Sharpe, 1807. Page 392; The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829. Page 190.
- Lawrence Richardson Jr., A New Topographical Dictionary of Ancient Rome. Baltimore: The Johns Hopkins University Press, 1992. Page 111; Calvert Watkins, How to Kill a Dragon: Aspects of Indo-European Poetics. Oxford: Oxford University Press, 1995. Pages 350-351; “Coins of the Ludi Saeculares and Rome’s Millennial Games”.
Bibliography
Books
- Aitchison, Alexander. The New Encyclopaedia, or Universal Dictionary of Arts and Sciences, Volume XV. London: Vernor, Hood, and Sharpe, 1807.
- Caesar, Julius. Commentaries on the Gallic Wars, book 6, chapter 18.
- Dillon, Matthew; Garland, Lynda. Ancient Rome, from the Early Republic to the Assassination of Julius Caesar. London: Routledge, 2005.
- Fowler, William Warde. The Roman Festivals of the Period of the Republic. London: Macmillan and Company, Ltd., 1899.
- Grimal, Pierre. The Dictionary of Classical Mythology. Translated by A. R. Maxwell-Hyslop. Oxford: Basil Blackwell Publsher, Ltd., 1986.
- Morell, Thomas; Duncan, William. An Abridgement of Ainsworth’s Dictionary; English and Latin, Revised Edition. Edinburgh: Oliver and Boyd, 1862.
- Plutarch, Parallel Lives – “The Life of Romulus”. http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Lives/Romulus*.html.
- Richardson Jr., Lawrence. A New Topographical Dictionary of Ancient Rome. Baltimore: The Johns Hopkins University Press, 1992.
- Watkins, Calvert. How to Kill a Dragon: Aspects of Indo-European Poetics. Oxford: Oxford University Press, 1995.
- White, Reverend John T.; Riddle, Reverend J. E. A New Latin Dictionary, Third Edition. London: Longmans, Green, and Co., 1869.
- The Olio, or Museum of Entertainment, Volume 2. London, Joseph Shackell, 1829.
Articles
- Bradley, Mark. “Crime and Punishment on the Capitoline Hill”. In Mark Bradley, ed., Rome, Pollution and Propriety: Dirt, Disease and Hygiene in the Eternal City from Antiquity to Modernity. Cambridge: Cambridge University Press, 2012. Pages 103-121.
- Ter Beek, Leon. “Divine Law and the Penalty of Sacer Esto”. In Olga Tellegen-Couperus, ed., Law and Religion in the Roman Republic. Leiden: Brill, 2012. Pages 11-30.
- Warde Fowler, William. “Mundus Patet. 24th August, 5th October, 8th November”. Journal of Roman Studies, volume 2 (1912). Pages 25‑33. http://penelope.uchicago.edu/Thayer/E/Journals/JRS/2/Mundus*.html.
Websites
- CoinWeek. “Coins of the Ludi Saeculares and Rome’s Millennial Games”, by Steve Benner (September 9, 2020). https://coinweek.com/ancient-coins/coins-of-the-ludi-saeculares-and-romes-millennial-games/.
Videos
- The Celts. Episode 3 – “A Pagan Trinity”. Hosted by Frank De Laney. BBC, 1987.
- The Haunted History of Halloween. Narrated by Harry Smith. The History Channel, 1997.
- What the Ancients Knew – “The Greeks”. Hosted by Jack Turner. The Science Channel, 2005.
October 1 – The Kalends of October
It is now the month of October in ancient Rome. The weather has begun to cool, the Autumn harvest is ready to be gathered, and the soldiers are preparing themselves to return home after another season of fighting abroad.
The whole month of October was dedicated to Mars, the god of war (1). This is likely due to the fact that October was the month when the year’s military campaigning season came to an end. The campaigning season officially terminated on October 19 with the ceremony known as the Armilustrium, but that’s a story for another day.
The first day of every month was known as the kalends, which is where the word “calendar” comes from. These were days in which all business was put on hold, possibly because merchants and businessmen were afraid of being jinxed (2).
In the ancient Roman calendar, the first day of every month was sacred to the goddess Juno, Queen of the Gods (3). However, the first day of October was also dedicated to the war-god Mars (4) as well as to Fides, the divine personification of faith (5). This is because October 1 was the date that a temple to Fides located on the Capitoline Hill was dedicated during the 3rd Century BC by Aulus Atilius Calatinus. This temple was often used as a place where oaths were taken, or where contracts and treaties were signed. Copies of treaties that Rome had signed with other nations were put on display within (6).
October 1 was also the date of a purification ritual known as the Tigillo Sororio, “the Beam of the Sister”, whose origins go back to the founding of the Roman Republic. Legend states that Horatius Cocles, one of the great heroes of the civil war between the monarchists and the republicans which lasted from 509 to 499 BC, returned home after being victorious in a battle, bringing with him the spoils of his defeated enemies. However, his sister was betrothed so a man who was on the monarchists side. When she saw her fiancé’s cloak, she knew that he was among the slain and she began to cry. Her brother Horatius, fired up with patriotic furor, accused her of showing sympathy to the Republic’s enemies and killed her on the spot. Horatius was acquitted of murder, but he was forced to undergo a purification ritual to expiate his blood-guilt. At least that’s the story, but it appears that this purification ritual existed before the era of the civil war, so then what was its original purpose? Perhaps, just as Horatius had to expunge his unclean self after shedding the blood of his own sister, so to might early Roman warriors have needed to purify their bodies and souls of blood-guilt prior to re-entering the city (7). This bears some resemblance to the Armilustrium, in which the weapons of war were ritualistically purified before being re-housed in the armories over the winter lull.
Source citations:
- Pierre Danet, A Complete Dictionary of the Greek and Roman Antiquities. London: 1700. Page 14; The Metropolitan Magazine, Volume 17 (September-December 1836). “On the Origin of the Egyptian God, Anubis, and on the Twelve Months of the Year”. London: Saunders and Otley, 1836. Page 103; Adam Clarke, The Holy Bible, with a Commentary and Critical Notes, Volume IV: Romans-Revelation. Cincinnati: Applegate & Co., 1854. Page 184.
- History and Archaeology Online: Rediscovering the Past. “Double Roman Celebrations for the Kalends of October: The Fidei in Capitolio and the Tigillo”, by Natasha Sheldon (September 29, 2018). https://historyandarchaeologyonline.com/double-roman-celebrations-for-the-kalends-of-october-the-fidei-in-capitolio-and-the-tigillo/.
- Molly Pasco-Pranger, Founding the Year: Ovid’s Fasti and the Poetics of the Roman Calendar. Leiden: Brill, 2006. Page 180.
- The Metropolitan Magazine, Volume 17 (September-December 1836). “On the Origin of the Egyptian God, Anubis, and on the Twelve Months of the Year”. London: Saunders and Otley, 1836. Page 103.
- UNRV. “Roman Festivals”. https://www.unrv.com/culture/roman-festivals.php.
- Ár Ndraíocht Féin: Public Worship, Fellowship, and Practice. “Major Holidays of Rome October (Mensis October)”. https://www.adf.org/rituals/roman/roman-holidays3.html.
- History and Archaeology Online: Rediscovering the Past. “Double Roman Celebrations for the Kalends of October: The Fidei in Capitolio and the Tigillo”, by Natasha Sheldon (September 29, 2018). https://historyandarchaeologyonline.com/double-roman-celebrations-for-the-kalends-of-october-the-fidei-in-capitolio-and-the-tigillo/.
Bibliography:
- Clarke, Adam. The Holy Bible, with a Commentary and Critical Notes, Volume IV: Romans-Revelation. Cincinnati: Applegate & Co., 1854.
- Danet, Pierre. A Complete Dictionary of the Greek and Roman Antiquities. London: 1700.
- Pasco-Pranger, Molly. Founding the Year: Ovid’s Fasti and the Poetics of the Roman Calendar. Leiden: Brill, 2006.
- The Metropolitan Magazine, Volume 17 (September-December 1836). “On the Origin of the Egyptian God, Anubis, and on the Twelve Months of the Year”. London: Saunders and Otley, 1836.
- Ár Ndraíocht Féin: Public Worship, Fellowship, and Practice. “Major Holidays of Rome October (Mensis October)”. https://www.adf.org/rituals/roman/roman-holidays3.html.
- History and Archaeology Online: Rediscovering the Past. “Double Roman Celebrations for the Kalends of October: The Fidei in Capitolio and the Tigillo”, by Natasha Sheldon (September 29, 2018). https://historyandarchaeologyonline.com/double-roman-celebrations-for-the-kalends-of-october-the-fidei-in-capitolio-and-the-tigillo/.
- UNRV. “Roman Festivals”. https://www.unrv.com/culture/roman-festivals.php.